Wednesday, September 26, 2012

THEY HAVE WATCHED OUR PLANET.
THEY HAVE STUDIED OUR CULTURE.
THEY HAVE IDENTIFIED OUR WEAKNESSES.
AND THEY HAVE WAITED 70 YEARS FOR REVENGE….

ITS INGLORIOUS BASTERDS MEETS SPACEBALLS AS THE REICH STRIKES BACK IN AN EPIC SCI-FI COMEDY AND WORLDWIDE BOX OFFICE PHENOMENON:

Iron Sky

Street Date: October 2, 2012   | BLU-RAY/DVD srp: $24.98/$19.98


In the last moments of World War II, a secret Nazi space program evaded destruction by fleeing to the Dark Side of the Moon.  During the following 70 years of utter secrecy, the Nazis constructed a gigantic space fortress with a massive armada of flying saucers.  Their plan: travel back to Earth and re-colonize the planet.  And in 2018, mankinds greatest enemy is no longer history as the Reich strikes back in this eagerly-anticipated worldwide box office phenomenon which has enjoyed a U.S. theatrical release in over 75 markets.

When American astronaut James Washington (Christopher Kirby) puts down his Lunar Lander a bit too close to the secret Nazi base, the Moon Führer (Udo Kier) decides the glorious moment of retaking the Earth has arrived sooner than expected. Washington claims the mission is just a publicity stunt for the President of the United States (Stephanie Paul), but what else could the man be but a scout for the imminent attack by Earth forces?

The Fourth Reich must act, so two Nazi officers, ruthless Klaus Adler (Götz Otto) and idealistic Renate Richter (Julia Dietze), travel to Earth to prepare the invasion.  In the end when the Moon Nazi UFO armada darkens the skies, ready to strike at the unprepared Earth, every man, woman and nation alike, must re-evaluate their priorities.

CAST
·         Julia Dietze (1 ½ Ritter)
·         Götz Otto (Tomorrow Never Dies, Schindlers List, Downfall)
·         Christopher Kirby (The Matrix Reloaded & Revolutions, Daybreakers)
·         Udo Kier (Dogville, Dancer in the Dark),
·         Peta Sergeant (Satisfaction)
·         Stephanie Paul (Separation City, Film School Confidential)
·         Tilo Prückner (The Neverending Story, Die Fälscher)

BONUS PROGRAMMING
·         Making Of Featurette
·         Behind-the-Scenes Footage
·         Teasers and Theatrical Trailer
·         Audio Commentary with Director and Producer

PROGRAM INFORMATION
Iron Sky
Catalog #:  (BD) EOE-BD-7253/(DVD) EOE-DV-7252
Running Time: 93 mins.
Genre:  Sci-fi/Comedy
Aspect Ratio: 16 x 9 (2.35:1)
Audio: (BD) DTS-HD Master Audio/(DVD) 5.1 Dolby Digital
Language:  English, German with English subtitles
Rating: R

AMC’s unscripted series “Comic Book Men,” returns for its second season on Sunday, October 14 at 11:30 PM ET/PT.


"Comic Book Men," which critics called “genial, good-natured, eccentric and dry-witted” (Newsday) and “a celebration of the deeply particular personalities involved when geeky merchandise changes hands,” (The New York Times), follows Smith and his crew of fan boys turned pop culture experts who live, work, and breath comic books.

Over the sixteen episode season, watch the guys behind Smith’s iconic comic shop, Jay and Silent Bob’s Secret Stash, geek-out over rare memorabilia and discover treasures of the comic collecting world. Realize your inner superhero and satisfy your fan boy fantasies by witnessing Smith, Walt, Mike, Bryan and Ming tape their outrageous podcasts where they tackle the burning questions all fans grapple with: what is the ultimate superpower and how best to relive the nostalgia of your childhood.

For additional information visit: Comic Book Men on AMC.
On Facebook: ComicBookMenAMC .
On Twitter: ComicBookMenAMC .

 
SOURCE FerenComm on behalf of AMC

Tuesday, September 25, 2012

ACADEMY TO CELEBRATE 60TH ANNIVERSARY OF CHAPLIN'S "LIMELIGHT"

BEVERLY HILLS, CA – The Academy of Motion Picture Arts and Sciences will present a 60th anniversary screening of "Limelight," Charlie Chaplin's final masterpiece, on Wednesday, October 3, at 7:30 p.m. at the Samuel Goldwyn Theater in Beverly Hills.

Presented as an installment of the Jack Oakie Celebration of Comedy in Film, the evening will welcome co-stars Claire Bloom and Norman Lloyd, who will discuss their work with Chaplin and the influence he had on their distinguished careers.

"Limelight" offers a poignant portrait of the music halls where Chaplin, one of the screen's first comedic geniuses, developed his craft. Produced just before Chaplin's re-entry permit to the United States was revoked during his travels abroad, the film is a bittersweet time capsule, reflecting the mindset of an artist whose world was changing around him.

Featuring Bloom in what was only her second film, "Limelight" is a tender and often humorous love story that revels in the details of life on the stage. A brief, but tantalizing, scene between Chaplin and his closest comedic rival, Buster Keaton, is yet another facet of the film's charm.

The Jack Oakie Celebration of Comedy in Film provides an opportunity for established filmmakers and historians to share their experiences and to discuss the specific challenges and delights of the comedy film genre.

The lecture series is named in memory of character actor Jack Oakie, whose career included vaudeville, Broadway musicals and 87 pictures, most of them comedies or musical comedies. His career included such notable films as "Once in a Lifetime," "Million Dollar Legs" and "It Happened Tomorrow," and was crowned by his portrayal of a Mussolini-like head of state in "The Great Dictator," for which he received an Academy Award® nomination.

Tickets for "Limelight" are $5 for the general public and $3 for Academy members and students with a valid ID, and may be purchased online at www.oscars.org, in person at the Academy box office, or by mail. The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. Doors open at 6:30 p.m. Ticketed seating is unreserved.

For more information, call (310) 247-3600 or visit www.oscars.org.

GUILLERMO DEL TORO TO HOST "UNIVERSAL’S LEGACY OF HORROR" OPENING AT THE ACADEMY

The Academy is hosting an October-long celebration of classic horror films in honor of "Universal’s Legacy of Horror"- part of the studio’s year-long 100th anniversary celebration.

"The Bride of Frankenstein " (1935) and "Dracula " (1931)
Tuesday, October 2, at 7:30 p.m.
Samuel Goldwyn Theater
8949 Wilshire Boulevard, Beverly Hills

Hosted by writer-director Guillermo del Toro
Del Toro, a true aficionado of the horror-genre will host the kick-off screening celebrating the studio that defined "horror films. " The Academy will screen newly restored prints from Universal.

"The Man Who Laughs " (1928)
Monday, October 8, at 7:30 p.m.
Samuel Goldwyn Theater
8949 Wilshire Boulevard, Beverly Hills

Special guests scheduled include producer Chris Weitz, grandson of producer, Paul Kohner. This rarely screened silent horror feature stars Conrad Veidt and Mary Philbin.

"The Wolf Man " (1941) and "An American Werewolf in London " (1981)
Tuesday, October 9, at 7:30 p.m.
Samuel Goldwyn Theater
8949 Wilshire Boulevard, Beverly Hills

Special guests scheduled include director John Landis, Oscar-winning makeup artist Rick Baker, producer George Folsey, Jr. and actor David Naughton from "An American Werewolf in London."

"Creature from the Black Lagoon " (1954, in 3D) and "The Invisible Man " (1933)
Tuesday, October 16, at 7:30 p.m.
Samuel Goldwyn Theater
8949 Wilshire Boulevard, Beverly Hills

Special guests scheduled include actress Julie Adams, who played Kay Lawrence in "Creature from the Black Lagoon."

"The Birds " (1963)
Tuesday, October 23, at 7:30 p.m.
Samuel Goldwyn Theater
8949 Wilshire Boulevard, Beverly Hills

Special guests scheduled include actresses Tippi Hedren, who played Melanie Daniels, and Veronica Cartwright, who played Cathy Brenner, in the film.

"Abbott and Costello Meet Frankenstein " (1948) and "The Ghost and Mr. Chicken " (1966)
Saturday, October 27, at 2 p.m.
Linwood Dunn Theater
1313 Vine Street, Hollywood

Special guests scheduled include actress Joan Staley, who played Alma Parker, in "The Ghost and Mr. Chicken."

"The Incredible Shrinking Man " (1957) and "Tarantula " (1955)
Saturday, October 27, at 2 p.m.
Oscars Outdoors
1341 Vine Street, Hollywood

"The Phantom of the Opera " (1925)
Tuesday, October 30, at 7:30 p.m.
Samuel Goldwyn Theater
8949 Wilshire Boulevard, Beverly Hills

In conjunction with the screening series, the Academy will present "Universal’s Legacy of Horror: A Centennial Exhibition," which includes rare posters, stills and other artifacts celebrating Universal’s distinctive contributions to the classic horror genre and the studio’s founding 100 years ago. The exhibition will run in the Academy Grand Lobby throughout October. Admission is free.

Series passes for "Universal’s Legacy of Horror" (excluding the Saturday double features) are $20 for the general public and $15 for Academy members and students with valid ID. Tickets for individual screenings are $5 for the general public and $3 for Academy members and students with a valid ID, and may be purchased online at www.oscars.org, in person at the Academy box office, or by mail. Ticketed seating is unreserved. For more information call (310) 247-3600 or visit www.oscars.org

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world's preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards–in which the members vote to select the nominees and winners–Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

SOURCE The Academy of Motion Picture Arts and Sciences

Monday, September 24, 2012

Neal Adams, Award Winning Artist and Creator, Attending Long Beach Comic & Horror Con

Son Joel, Emmy Award-winning animation designer (King of the Hill, Hulk, and Nascar) will accompany Adams at LBCC all weekend, November 3-4, 2012



LONG BEACH, CA (September 24, 2012) – Long Beach Comic & Horror Con (LBCC) is proud to welcome award-winning artist and creator Neal Adams to the fourth annual LBCC convention. Representing Continuity Graphic, Neal Adams will be accompanied Continuity's Producer/Director Marilyn Adams. The Adams family will appear at LBCC both days of the show, Saturday and Sunday, November 3-4, 2012.

Recognized the world over, Neal Adams was and is one of the pioneers in the comics business. He has worked on major titles such as X-Men, Batman, Green Arrow, Green Lantern, Deadman, Superman, and Adventure Comics. Neal will be at LBCC representing his own company, Continuity Comics.

Joel Adams is the eldest son of the famed comic book artist. He has worked on titles such as Ms. Mystic, Bucky O’Hare and Young Captain Adventure. His career also spans character designer on top animated shows and licenses, including the Emmy Award-winning “King of the Hill,” “The Hulk,” and “Harry Potter.” Today, Joel is overseeing his own licensed property, “Lilz,” which has been showing-up all over the internet and beyond.

Said Neal Adams: “Comic Book conventions have become the modern day circus, and in Long Beach November 3rd and 4th, the circus will be coming to town. My son Joel and I, will be honored to be guests of what bodes to be, the most incredible 'comic book' convention on the West Coast.

“I am told, as before, this is going to be a true comic book convention. As you probably know, comic books are taking over the world. The world of entertainment, and the stars of that world are coming to Long Beach.

“Me, I will do my best to entertain, draw for you, and talk to you about the future of comics in the world. You can pre-order sketches, or have them done at the convention, (time allowing).

“There will be costume contests, and any leftover Halloween madness you may have had from Halloween the week before, you can spend with joy at this convention. And when Monday rolls around, and people tell you what they did that weekend, you will be able to tell them that you went to the greatest Comic Book Convention on the West Coast. I’ll see you there.”

“We couldn’t be more thrilled to have Neal, Joel, and Josh make their first appearance at Long Beach.” says Phil Lawrence, Co-Founder and Sales Director. “This will be a rare treat for all of the attendees. Neal is a living legend, and the show cannot get here fast enough for us! He truly embodies what the show is about – creator-owned, creativity, and the fan experience.”

Offering a weekend packed with special guests and exhibitors and engaging panels, Long Beach Comic & Horror Con will be open on Saturday, November 3 from 10:00am to 7:00pm, and  from10:00am to 5:00pm on Sunday, November 4.
Join LBCC on Facebook and Twitter for the latest news and information about this year’s show. Find Rick Marshall on Twitter and Facebook for more information about "The Marshall Report."

About Long Beach Comic & Horror Con
Long Beach Comic & Horror Con is a true comic con focused on creating a fantastic experience for both fans and exhibitors in the Long Beach, Anaheim and Los Angeles areas.  With something for everyone, the fourth annual Long Beach Comic & Horror Con will be held November 3 and 4, 2012 at the Long Beach Convention Center. To learn more and purchase tickets, please visit longbeachcomiccon.com.

Friday, September 21, 2012

Academy to Celebrate The Music of James Bond

Beverly Hills, CA – As part of the global 50th anniversary celebration of James Bond, the Academy of Motion Picture Arts and Sciences will present "The Music of Bond: The First 50 Years," on Friday, October 5, at 7:30 p.m. at the Samuel Goldwyn Theater in Beverly Hills. Held 50 years to the day after the U.K. opening of the first Bond film, "Dr. No," the evening pays homage to the memorable title songs and indelible scores that have become as celebrated as the films themselves.

Hosted by music historian and writer Jon Burlingame, the program will feature many of the people who made the music, including composer Bill Conti ("For Your Eyes Only"), songwriter Carole Bayer Sager ("Nobody Does It Better" from "The Spy Who Loved Me"), lyricist Don Black (title songs for "Thunderball," "Diamonds Are Forever," "The Man with the Golden Gun" and "The World Is Not Enough") and guitarist Vic Flick, who laid down the famous guitar lick for the "James Bond Theme."

There also will be a special video message from actor Roger Moore.

Over the 22 films released to date as part of the official James Bond series, there have been several constants: suave but deadly leading men, gorgeous and sexy Bond girls, over-the-top villains and incredible music. Bond theme songs, sung by such leading performers as Nancy Sinatra ("You Only Live Twice"), Shirley Bassey ("Goldfinger"), Paul McCartney and Wings ("Live and Let Die"), Carly Simon ("Nobody Does It Better") and Sheena Easton ("For Your Eyes Only"), consistently landed on the pop music charts. Duran Duran's "A View to a Kill" became the first Bond song to hit #1 on the Billboard Hot 100.

Those notable elements combined with the remarkable scores by composers including Conti, John Barry, Marvin Hamlisch and David Arnold has resulted in a body of work that continues to play a major role in popular film culture.

Tickets for "The Music of Bond" are $5 for the general public and $3 for Academy members and students with a valid ID, and may be purchased online at www.oscars.org, in person at the Academy box office, or by mail. The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. Doors open at 6:30 p.m. Ticketed seating is unreserved.

For more information, call (310) 247-3600 or visit www.oscars.org.

Artsploitation Films Announces New Acquisitions: COMBAT GIRLS and VANISHING WAVES

Films Screened at Austin’s Fantastic Fest!

Both Set for 2013 Theatrical and DVD Releases


LOS ANGELES (September 21, 2012) – Artsploitation Films, founded earlier this year by TLA Entertainment Inc. president Raymond Murray, announces the acquisition of two new feature films, the German drama COMBAT GIRLS and the Lithuanian science fiction film VANISHING WAVES.

Both films screened at Fantastic Fest in Austin, TX. COMBAT GIRLS on Friday, September 21 and VANISHING WAVES September 23, 2012. Both films will see limited theatrical releases and full DVD releases complete with special features in 2013 courtesy of Artsploitation Films.

A major success in its native Germany earlier this year, COMBAT GIRLS is an uncompromising and powerful drama about two young women caught up in the disturbing rise of neo-Nazism in contemporary Europe. This gritty, violent, and intense teen saga is exciting filmmaking with direction, cinematography and certainly the lead performances of the two young actresses, firing on all cylinders.

The story follows two young women in the world of right-wing neo-Nazi fascist youth in today’s German suburbs: 20-year-old Marisa is a hardcore believer, a semi-skinhead who’s been in the movement for years and whose body is adorned with Nazi tattoos, whereas 14-year-old Svenja is a naïve newcomer, a sheltered, spoiled, straight-A student who only becomes fascinated with the group because of her neo-Nazi boyfriend.

They begin as attention-seeking adversaries but become best friends, though their loyalty is shaken when Marisa decides she wants to leave the movement behind, a decision helped by her unlikely friendship with a scared young Afghan boy whose brother she injured in a hate crime.

A multiple award winner – for director David Wnendt and actresses Alina Levshin and Jella Hasse – at the German Film Awards, the Bavarian Film Awards, and the Munich Film Festival, COMBAT GIRLS inspired Fantastic Fest programmer Rodney Perkins to state, “COMBAT GIRLS pulls no punches. The film submerges the audience in the underground world of skinheads and racist ideologues. This attention to authenticity is not done for the purpose of sensationalism, but to support the film's compelling story and complex characters. COMBAT GIRLS is a powerful nuanced work by a dynamic new voice in German cinema.”


In his commentary on the film, Olivier van Blockstael – sales representative for the film’s German company East/West Distribution - said “We discovered COMBAT GIRLS just before Cannes 2011 and, although it was a first time director film, with a topic which at first sight could seem very specific to Germany, we saw a great international potential: at a time where nationalism is raising all over Europe we knew that the international audience would be interested, especially because it's the first film that approaches this topic through a female point of view. The incredible festival career of the film (with dozens of prestigious awards all over the world) and the number of territories where the film has been or will be released proved us right.”

The film will continue to screen at festivals throughout the rest of the year, and then Artsploitation, owner of all North American rights, will give it a general theatrical release in early 2013.



The self-described “erotic science fiction” film VANISHING WAVES is nothing short of a genre masterpiece. The film had its American premiere at Fantastic Fest, and then Artsploitation Films – owner of U.S. rights – will be theatrically releasing it in the first quarter of 2013.

A bold, visionary work of science fiction cinema that recalls the genre in its cerebral 1960s and 70s golden age, just as it simultaneously forges new territory with its unique fusion of emotional melodrama and hallucinatory widescreen spectacle, VANISHING WAVES is one of the most accomplished and distinctive European films in recent memory.

The second solo feature from Lithuanian director Kristina Buozyte, following her acclaimed 2008 debut The Collectress (which will be included on Artsploitation’s Blu-ray release of this new film), VANISHING WAVES confirms Buozyte as a major young talent whose frequently breathtaking visual and technical gifts are thankfully also matched by her interest in complex characterizations, adventurous narratives, and challenging themes.

Her new film is a science fiction romance that is equally occupied by the erotic as well as the fantastic. Lukas (Marius Jampolskis) is assisting a scientific research team by functioning as a patient in a series of heavily monitored (and medicated) sensory deprivation experiments wherein he is attempting to make some form of contact with the subject, Aurora (Jurga Jutaite), a young woman who has been locked in a comatose state for some time.

Doctors initially hope for just a vague reaffirmation of consciousness, but the experiment takes an unexpected twist when Lukas and Aurora actually develop a strong psychic link in their mutually altered forms of consciousness…and their link quickly evolves into a romantic, sexually charged relationship. As Lukas hides this data from his researchers, he and Aurora meet secretly and passionately in a series of surreal dreamscapes created by their collective minds, but their union is tragically doomed to collapse around them.

Exploring the tantalizing possibilities of forming a true, all-encompassing bond with one’s lover, VANISHING WAVES is hypnotic, erotic, wholly engrossing, and wildly thought-provoking cinema that transcends any perceived limitations of the science fiction genre, becoming one of the year’s most provocative films in the process. Director Kristina Buozyte remarks, “Artsploitation is a gateway for provocative, challenging and outstanding films to the U.S. VANISHING WAVES is delighted to be the part of this exclusive and fast growing family.”

Matteo Lovadina, the CEO of French sales agency Reel Suspects, said he “is thrilled about the theatrical release of his festival winner VANISHING WAVES by one of the most promising, edgy and high-profiled new distribution companies in the U.S. Artsploitation is the perfect American home for this powerful cinematic tale. Raymond Murray has shown a pure enthusiasm for this film since the first screening in Cannes.”

And Fantastic Fest programmer Luke Mullen wrote “VANISHING WAVES is a powerful sci-fi drama, with roots in films like The Cell and Inception while also calling to mind elements of Almodovar's Talk to Her. The film features beautiful cinematography along with a fantastic score that perfectly underscore a great story. Modern, slick and stylish, VANISHING WAVES is an incredible cinematic journey that will draw you in and keep you wanting more.”

You may view the VANISHING WAVES trailer here: http://www.artsploitationfilms.com/vanishing-waves/ .

ABOUT FANTASTIC FEST
Fantastic Fest is the largest genre film festival in the U.S., specializing in horror, fantasy, sci-fi, action and just plain fantastic movies from all around the world. In years past the festival has been home to world premieres of THERE WILL BE BLOOD, APOCALYPTO, ZOMBIELAND, THE HUMAN CENTIPEDE 2 and RED while the guest roster has included such talent as Mel Gibson, Bill Murray, Edward Norton, Ryan Reynolds, Karl Urban, Josh Hartnett, The RZA, Dolph Lundgren, Jemaine Clement, Paul Rudd, Bill Pullman, Paul Thomas Anderson, Kevin Smith, Jon Favreau, George Romero, Darren Aronofsky and Mike Judge. Fantastic Fest also features world, national and regional premieres of new, up-and-coming genre films. The festival has launched and propelled the buzz for international genre hits like THE HUMAN CENTIPEDE, MONSTERS, TIMECRIMES and TROLLHUNTER. Fantastic Fest is held each year at the Alamo Drafthouse Cinema on South Lamar in Austin, Texas. During his Keynote Address at the International Film Festival Summit, Variety president and publisher Charlie Koones listed Fantastic Fest in a list of “10 Film Festivals We Love,” alongside industry heavy-hitters such as Cannes, Toronto and Telluride. Fantastic Fest was also named as one of the “25 coolest film festivals” and the “25 film festivals worth the entry fee” by Moviemaker Magazine.